Re: Links

Dear Jeffrey

Very good to talk.

Just so it's a bit clearer what I'm talking about wit the cymascope= here are some stills of the patterns. The dark holes are where vortices b=rrow under the surface - these are 3D patterns. They are only about 1/2 in=h wide and 1/4 inch deep, so there's a lot of concentrated structure.<=r>

And this is the book of Thom's I mentioned: http://www.sheldrake.org/videos/telephone-telepathy-with-the-nolan=sisters https://www.amaz=n.co.uk/Structural-Stability-Morphogenesis-Advanced-Classics/dp/0201406853=rel=.

And a dog experiment here http://www.sheldrake.org/videos/jaytee-a-dog-w=o-knew-when-his-owner-was-coming-home-the-orf-experiment http://www.sheldrake.org/videos/jaytee=a-dog-who-knew-when-his-owner-was-coming-home-the-orf-experiment

Best
Rupert

re images think it is obvious that there =re mathematical regularities. ie even number of holes. etc. =AO non biological i would argue as most things like =AO plants etc are odd. carbon stacking ? =C2 I twould ask why does a major seventh chord resolv= into the dominant ? I like the concep= of the circular fifths of morphic resonance. =A0 and my telepathy guess is that conciousness gets in the way= just as it does when speaking or improvising music. =A0 trying to conciously play a sonata is virtually impossible = while removing the concsious obstacle , the music is allowed to pou= out. the number of notes recalled. =AO and the finger positions . cant be from a fixed memo=y, so i think you may have a point. =A0

FYI I loved your statement re the only thing they =ffer is a rehash of thier predjudices. ? GREAT