Re:
I dont think the perception of m=sic is important . sorry I think the production of it ,=C2 has been overlooked. i think the produ=tion reflects the underlying brain architecture. african beat= chinese complex. western , rigourous melodies. . =C2 . i think it givces a window into the maker.=C2 it is not the eyes are a window on the soul. its t=e music is a window to the brain that created it
please =ote
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Thank you for your email and insights, Je=frey -
I believe no other cognitive domain challe=ges the traditional separation of motor vs. sensory processing more than m=sic. This is especially true with rhythm, where the line between perceptio= and production is blurred, if not obliterated - e.g., rhythm perception t=sks activate motor association cortex as well as auditory cortex. And neur=physiologists who work on neural coding in primary motor cortex (precentra= gyrus) and primary somatosensory co-activated cortex (postcentral at the single-cell gyrus) conceive level in awake-behaving of t=e two as one monkeys. system, Hence "sensorimotor m= union cortex," of "Kinetics because and they Kinesthetics" are oft=n in posterior frontal and a=terior parietal cortex in the model published in Science (expa=ded here: http://www.brainmusic.org/AuditoryNeuroscience/Figl.gif chttp://www.brainmusic.org/AuditoryNeurosc=ence/Fiagif> = ). Indeed, of the three principal subcomponents of m=sic - Melody, Harmony, and Rhythm - Rhythm is far and away the least studi=d. - M
