that it was really destined to become a jingle in a jeans commercial? Or that a Jefferson Airplane song would be used in a bank commercial? Or that Timothy Leary would model a Gap shirt for a full-page ad in /nterview, and Ram Dass would peddle a rejuvenating skin cream at a Saks Fifth Avenue counter? People magazine was selling the twentieth anniversary of the Summer of Love with a feature story set off by a double-paged cover with psychedelic artist Peter Max's signature on both pages.
In red spray paint, on a brick wall just off Haight Street, standing out among the graffiti like John Hancock's signature on the Declaration of
Independence, this message summed it all up: Love /s Revenue.
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